
INSPIRED
Psychology:Danced
Photograph by Sabine Klaus
Created by Dr Peter Lovatt
A new work premiered at the Weston Auditorium on 26 May 2011
Five amazing choreographers were INSPIRED
by five psychological questions. The result is Psychology:Danced. If someone
cried out, would you help? If someone asked you to remember three simple
things, would you, could you? If you saw a chessboard would you know which were
the black squares and which were the white? If you asked someone a question and
they didn’t know the answer, would you give them an electric shock? If you were
acting normally would a psychiatrist think you were mad? Created by Dr Peter
Lovatt, INSPIRED is a performance of dance and spoken word where psychological
stories are brought to life with fresh, exciting and dynamic dance.
INSPIRED
Psychology:Danced
ACT
1
Scene
1. Introduction - Dance & Psychology

Part 1.
Clear & Beautiful
A film by Ruth Mills
Performed by Ruth Mills
To the voice of the
late Martha Graham.
Music: Jon Kelihor. Excerpts from 'Class' and 'Celestial Nile'
Part 2.
Flappers
Choreographed
and Performed by Scarlett Hiles, Tanya Hill, Holly Jackson-Walters, Camilla Lochun, Laura Tan, Amy Reid with Peter Lovatt
Music: “Roxie’s
Suite” by Danny Elfman
Scene
2. Sanity

Part 1. EITHER OR
Choreographed and danced by Sabine Klaus & Emma Snellgrove
To the voice of Nicole Carter
3D Visual Artist: Iain Carter
Idea, research, video & sound edit: Sabine Klaus Creation Editor
Notes
'EITHER OR' brings together poetry and dance with sound
and visual effects to portray the inner and outer ongoings of poet Nicole
Carter who was diagnosed with bipolar disorder over 15 years ago after several
severe spells of manic-depression. Those led her to dance busking in the
street, running beyond the pain threshold and being homeless. Her true story
and poems inspired Sabine Klaus and Emma Snellgrove to move in one and other
ways mixed with 3D background imagery created by Iain Carter so the dancers can
become one or two or EITHER OR.


Part 2. Self Esteem
Choreographed
and danced by Holly Jackson-Walters with Peter Lovatt
Part 3. Words
Choreographed and
performed by Ruth Mills
Trapped in a schizophrenic condition.
Music: Low, 'Words'.
Scene
3. Illusions

Part 1. Excerpts From A
Bigger Picture
Choreographed by Emma Jayne Park
Danced by Rebecca Cameron, Caitlynn Cummings and Emma Jayne Park
Music: Murcof 'Unison', Four Tet 'Everything Is Alright', Bruno Sanfillipo
Matthio Grasso 'Ambient Music'
Video Editing Simon Persuad
The development of this piece was supported by Dancebase, Edinburgh
Notes
''We live together, we act on, and react to, one
another; but always and in all circumstances we are by ourselves. The martyrs
go hand in hand into the arena; they are crucified alone. Embraced, the lovers
desperately try to fuse their insulated ecstasies into a single
self-transcendence; in vain. By its very nature every embodied spirit is doomed
to suffer and enjoy in solitude. Sensations, feelings, insights, fancies — all
these are private and, except through symbols and at second hand,
incommunicable. We can pool information about experiences, but never the
experiences themselves. From family to nation, every human group is a society
of island universes.'' Aldous Huxley, The Doors of Perception
Part 2. Seeing
with sequins in your eyes 
Choreographed by
Hagit Yakira
Danced by
Scarlett Hiles, Tanya Hill, Holly Jackson-Walters, Camilla Luchun, Laura Tan, Amy Reid with Peter Lovatt
Music: “Razzle
Dazzle” by John Kander. Lyrics by Fred Ebb.
INTERVAL
(20 minutes)
ACT
2
Scene
4. Obedience

Part 1. A conversation: part1
Choreographed and danced by Hannah Buckley
and Dwayne Antony Simms
Music. 'Matera' by Rene Aubry.
Acknowledgements. Hannah would like to thank her parents and sister for their
continual support. Dwayne would like to thank Bea Udeh for her help and
support.
Notes
A conversation: part 1 could be between two friends, or two strangers. It could
be a moment of insanity or the sanest action possible. A conversation: part 1
is a response to three psychological studies that looked at bystander apathy,
obedience and sanity.
Part 2. Kitty
Genovese
Choreographed and danced by Scarlett Hiles, Tanya Hill, Camilla Luchun, Laura Tan and Amy Reid
Music. Imma Be,
by Black Eyed Peas
Scene
5. Memory

Part 1. Together
(A solo)
Choreographed and performed
by Ruth Mills
Searching for the future while reminded of the
past.
Music: Allegri 'Misereri mei', Gerry Campbell.
Part 2. Eight Feet
Choreographed
and danced by Camilla Lochun, Tanya Hill, Scarlett Hiles and Peter Lovatt
Part 3. Forgotten
Choreography: Anne Marie Kristensen
Performer: Harriet Bailey
Music: "Flying and Flocking" by Zoe Keating
Voice Recording: Alex Sharp Cole
Voice, text and music editing: Anne Marie Kristensen
Part 3. Sunday Morning
Choreography:
Hagit Yakira
Performers : Takeshi Matsumoto, Orley Quick, Cornelis Joubert, Hagit Yakira
Producer : Maria Tsaousi
Rehearsal Manager: Maika Klaukien
Dramaturge: Yarit Dor
Scenographer, Lighting Designer: Rachel E. Stanners
Costume Makers: Cornelis Joubert, Berit Laageide
Music: Tom James Scott
Notes
Inspired by the
different origins of her peers, Hagit takes Sunday Morning to be the place of
memories of childhood, of family, of home, and of fear of loss. Through evoking
these memories (and feelings) she wishes to explore the emergence of individual
identity, and at the same time the persistence of longing to belong.
Acknowledgements
We would like to thank Paul Upson and the
University of Hertfordshire Arts Team, Howard Berry and the students on the BSc
TV & Film course at the University of Hertfordshire, Sasha Kline, Peter
Ford and Paul Johnathan for stage management. My heartfelt thanks go to Tracy Ashwood who has coordinated
everything to do with INSPIRED Psychology:Danced (including costumes,
marketing, liaising with choreographers, arranging accommodation and travel for
everyone). Tracy has controlled the chaos and worked tirelessly to make
everything in the show look graceful, effortless and beautiful.
Photograph by Sabine Klaus
The Creative Process -- In Pictures and Video
video by Sabine Klaus
INSPIRED Psychology:Danced Briefing Day 28th February 2011